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李屏宾:拍《长江图》时全程失控

凤凰娱乐讯 (采写/波米) 李屏宾是毫无疑问的“胶片主义者”,在采访时他完全表现了这样的立场。我也问过他,你掌镜的《失孤》、《剩者为王》、《有一个地方》和《天台爱情》其实也都是数字摄影,但口碑和画面都不是太好。他低声说,这些片子和侯孝贤的肯定不一样:“现在胶片是一分钱一分货,但数字花1块钱只能出7毛钱的效果。”言外之意,颇有些“好马才能配好鞍”的意思。

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